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Showing posts with label Three's Company. Show all posts
Showing posts with label Three's Company. Show all posts

Sunday, June 17, 2012

Retroality's "Reimagine That!" podcast, episode 12! ............................................................ Chris Mann's special guest, Greg Lott (Part 2 of 3), sounds off on Farrah Fawcett estate controversies, Ryan O'Neal and Alana Stewart ALSO: Texas-sized dreams, "Dallas" 2.0, young "Three's Company" fans



In the second of three parts, Greg Lott opens up exclusively to Retroality.TV about his secret love affair with the late Farrah Fawcett, whom he first romanced in the mid-1960s during their tenure at the University of Texas.

Here, Lott tells how he was cut out of the TV angel's life -- reportedly by Ryan O'Neal -- two and a half months before the iconic actress succumbed to cancer on June 25, 2009. He also opens up about his role in the UT's investigation into Fawcett's estate -- namely, O'Neal's possession of a highly valuable Andy Warhol portrait of the "Charlie's Angels" star that the UT contends Fawcett bequeathed to her alma mater upon her death. (The UT sued O'Neal last year, demanding he relinquish the artwork, which the "Love Story" star contends he owns. That case is headed to trial this fall.) Lott also reveals his thoughts about Fawcett's friend Alana Stewart and questions the origin of the Stewart-helmed charity The Farrah Fawcett Foundation, which is currrently under investigation by the California Attorney General's Office of Charitable Trust.


On a lighter note ... host Chris Mann discusses the multi-generational allure of the 1978-91 TV hit "Dallas" (revived this month on TNT) and -- thanks to a Jenilee Harrison segue -- marvels at the ongoing youth appeal of the 1977-84 classic series "Three's Company." As he prepares a special anniversary edition of his 1998 tell-all book "Come and Knock on Our Door" (due in late 2012 or, if 36th anniversaries count, 2013), Chris salutes the "next generation" of Company fans, including 14-year-old aspiring documentary filmmaker Isaiah Reaves, 23-year-old funnygal-slash-Chrissy Snow-spoofmeister Ashlee Anno and 30something radio producer/"Three's Company Throwdown" trivia king Andy Hermann. (In previous "Reimagine That!" episode(s)/Retroality.TV stories, we've mentioned Sitcoms Online news director and Jack's Bistro webmaster Pavan Patel, who broke news of Suzanne Somers and Joyce DeWitt's recent YouTube reconciliation.)

Finally, our dream weaver Yvonne Ryba recounts her Texas-sized dreams of coming to America in the "Dallas"-rich early 1980s.

Host: Chris Mann

Announcer: Linda Kay

Created by: Chris Mann

Producers: Linda Kay, Chris Mann

Copyright 2012 by Chris Mann/Retroality.TV (http://Retroality.TV)

Wednesday, February 1, 2012

Retroality's "Reimagine That!" podcast, episode 5! ............................................................ Chris Mann's special guest, "Three's Company" star Richard "Larry" Kline, on John Ritter, James Franco ... and his & Chris's exclusive takes on this week's historic Joyce DeWitt/Suzanne Somers reunion




Episode 5: "The Impossible Dream"

On the eve of pop culture's historic Joyce DeWitt-Suzanne Somers peace summit, er, YouTube reunion following their legendary 31-year estrangement, "Three's Company" co-star Richard Kline -- TV's lovably libidinous Larry Dallas -- breaks his silence about their reconciliation and offers his insights into Suzanne's contentiou$ 1981 exit from their hit 1977-84 sitcom. The accomplished stage and screen actor/director/acting coach also reveals how he's coped with the loss of his dear friend,"Company" star John Ritter, who tragically passed away in 2003. As the breakthrough sitcom reaches its 35th anniversary this spring, Kline reveals his previous plans for a stage version of the wacky roommate farce and describes his experience as James Franco's special guest last year during the Oscar-nominated actor's bizzare Sundance presentation "Three's Company: The Drama." Finally, find out the hysterical comment Richard made to aPerezHilton.com story quoting Suzanne as saying that "everybody's gone from that show."

Also, host and "Three's Company" tell-all author Chris Mann offers an exclusive, in-depth historical analysis of Suzanne and Joyce's separation -- including Joyce's repeated efforts to reconcile in the last 15 years -- as well as failed attempts at/missed opportunities for "Three's Company" reunions from the mid-'90s onward. You won't get this detailed backstory anywhere else, folks!

Finally, our resident dream weaver Yvonne Ryba shares fascinating insights about inspirational dreams.

Host: Chris Mann

Announcer/"Kumbaya" singer: Linda Kay

Created by: Chris Mann

Producers: Linda Kay, Chris Mann

Copyright 2012 by Chris Mann/Retroality.TV (http://Retroality.TV)


Thursday, December 1, 2011

Retroality's "Reimagine That!" podcast, episode 4! ............................................................ Chris Mann's special guest, actress-writer Dianne Kay, on her in-the-works TV comedy "Seconds" and her life-saving psychic vision ALSO: Chris pleads to Oprah/Gayle: reimagine Agnes Nixon's "soaprahs"!



Retro pop meets forward thought as ebullient and enlightening "Eight is Enough" star Dianne Kay -- in part two of her exclusive, in-depth interview -- opens her heart about loving her TV siblings (including her "secret marriage" with Adam "Munch" Rich), working with Steven Spielberg on the set of his feature "1941" (and auditioning at her apartment with Mickey Rourke!!!), dealing with her garage sale addiction (hey, who stole her "8 is Enough" jigsaw puzzle?!?), being mistaken for a faux Betty Crocker, being overwhelmed by ugly reality TV (editor's note: "Kate Plus Eight is Enough!"), raising a teenage son in a hormonal household and developing her new half-hour, one-camera comedy series, "Seconds." In addition, Dianne shares with us her psychic vision that alerted her to her kidney cancer last fall and, in doing so, saved her life.

ALSO: Chris discusses changing media and changing times -- and beseeches Oprah to reimagine the "soaprah" and infuse her O brand of "retroality" drama and personal empowerment in half-hour versions of ABC's sadly-dumped "All My Children" and "One Life to Live." Fellow daytime icon/pioneer Agnes Nixon needs your help, Oprah -- please save all her children!

Chris also talks about the rapidly evolving book publishing world, the rules of which are shifting thanks to Amazon.com Inc. signing deals to publish high-dollar tomes with high-profile celebs ranging from "Laverne & Shirley" star (and fellow cancer survivor) Penny Marshall to New Age guru Deepak Chopra. Then Chris shares his short-lived book "negotiations" with late, legendary Hollywood press agent-business manager Jay Bernstein, who this fall celebrates the posthumous publication of his memoir, "Starmaker."

Offering insight about his "Come and Knock on Our" tell-all and his equally long-in-the-works "Price is Right" tell-all, Chris explains how journalistic, in-depth, "unofficial"/"unauthorized" TV books have become far and few between as the publishing industry, since the late '90s, has moved toward studio/network-commissioned, licensed (and therefore often "fluff-piece") TV books while television has taken over telling these boob-tube biographies. Hmmmm ... can you say, "multimedia e-book"?

Also: the return of Facebook's controversial group "Farrah Fawcett: We Want the Truth 2," a few parting thoughts about ABC's reimagined "Charlie's Angels" turducken, er, turkey, and what '80s TV icon ABC will likely "retool" next. (Goodbye, "Hot Bosley" ... hello, "Hot Belvedere"?)

Finally, in the fourth installment of a recurring "dream weaver" segment, dream interpreter/intuitive life coach Yvonne Ryba (http://YvonneRyba.com) shares two of her compelling, prophetic "death dreams" while encouraging listeners to reimagine their own reality by understanding the creative power of the mind.

For more on Dianne Kay, check out her new web site: http://DianneKayProductions.com and see Chris's site, http://Retroality.TV

Host: Chris Mann

Announcer/"Lassie" whistler: Linda Kay

Created by: Chris Mann

Producers: Linda Kay, Chris Mann

Copyright 2011 by Chris Mann/Retroality.TV (http://Retroality.TV)

Sunday, July 31, 2011

Suzanne Somers on renaissance man James Franco's "Three's Company" revival, adopting (?) Chrissy Snow's "moral code"


Suzanne Somers, like co-star Joyce DeWitt, says she was invited to see James Franco's Three's Company Sundance project in January, but declined due to a scheduling conflict. Too bad. Imagine the photo op of her posing with Franco and his Chrissy Snow wig at the after party. (Surely she could've squeezed a Thigh/Butt/Facemaster in the shot, too.)

Also in this recent clip from Access Hollywood Live!, Somers talks about the transformation she underwent when becoming Chrissy, including a "change" (or not, as she corrects herself) in her "moral code." Interesting ...

Here's Richard Kline with Franco Snow ... Suzanne, is your Somershave hair removal system on the market yet?

Thursday, July 14, 2011

Sitcoms Online gets Janet on the phone (eat your heart out, Chrissy)! An excellent interview with "Three's Company" star Joyce DeWitt

Joyce DeWitt and Maurico Perez in a scene from the off-Broadway play Miss Abigail's Guide to Dating, Mating and Marriage. Photo by Jeremy Daniel
Our friend Pavan Patel has done it again! The Sitcoms Online news director and blogger extraordinaire has snagged another exclusive interview with a Three's Company star. This time he offers up Seven Questions with TV's Janet Wood, actress Joyce DeWitt, who's currently starring in the off-Broadway comedy Miss Abigail's Guide to Dating, Mating and Marriage.

In this wide-ranging interview, Pavan gets Joyce to open up for the first time about her 8 Simple Rules sitcom reunion with the late, great John Ritter that, tragically, would never be:
Yes, he and I were in conversations about my doing a guest spot on 8 Simple Rules and in fact they had sent me a script and they had wanted us to play Janet and Jack and do this episode, and I said, "John, you know, it just doesn't feel right, I mean the idea seems really cool but it doesn't feel right, I don't quite know what to say about that." And eventually the wonderful writers of 8 Simple Rules sat down, and reconsidered it and the episode that came out was that his children on the show ended up playing our characters, as he like falls asleep and has a dream and here are his children playing the Three's Company people and it was such a wonderful episode, and the writers were so terrific when they saw both John and I were a little hesitant about the material they had suggested, they went back to the drawing board and came up with a WONDERFUL, wonderful episode, so that was really cool and we were you know in fact talking about, 'what else, how else can we bring you in?' Am I going to be like your sister that comes to visit or whatever but unfortunately time ran out and we didn't get to do it, but we were definitely you know talking about it ...


Pavan also gets Joyce's takes on doing Dancing with the Stars, working with Queen Latifah and replacing Brady Bunch's Jan, actress Eve Plumb, as Miss Abigail. And she chats for the first time about talks to do Broadway and feature film revivals of Three's Company -- prospective projects both connected in recent months with actor James Franco.

Congrats, Pavan. I have a feel that John Ritter is smiling down at you today!

Thursday, July 7, 2011

Hello, Larry! SitcomsOnline interviews classic "Three's Company" star and stage vet Richard Kline ... and offers chance to win tickets to Joyce DeWitt's off-Broadway debut


Our friend at Sitcoms Online, news director and blogger extraordinaire Pavan Patel, just published his new Q&A with Three's Company actor Richard Kline. In this fun and informative interview, TV's Larry Dallas offers his take on today's sitcoms, dishes on his secret game-show past and tells if he would do Dancing with the Stars or consider filming a Three's Company reunion with his surviving co-stars.

Pavan is a fellow Three's Company devotee and has run the excellent Jack's Bistro site for years.


Sitcoms Online is also running a contest to give away tickets to see Joyce DeWitt in her off-Broadway debut in Miss Abigail's Guide To Dating, Mating & Marriage:
One of you lucky readers out there will get to meet Joyce DeWitt (Janet from Three's Company) very soon! Joyce is now starring in the off-Broadway play Miss Abigail's Guide to Dating, Mating & Marriage and one lucky fan will win two tickets to go and see the play and meet Joyce after the show! So if you're in the NY-NJ-CT area and can easily get to New York City, please enter our contest on Facebook and let us know why you want to come and see the play and tell us one thing you love about Joyce DeWitt! Entries end Friday, July 22 at 11:59pm ET! So enter today!





Joyce has received some positive national press for her starring turn in the the play -- and recently rang the NASDAQ stock market closing bell! Pavan will be featuring his own Seven Questions interview with TV's Janet Wood later this month.

Keep up the great work, Pavan!

Wednesday, October 6, 2010

I'm now writing for the same type of women's magazine that as a kid I hid under dog food at the grocery store (damn you, Connie Selleca!)

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My new Wellbella cover-story interview with Khloe Kardashian and Kris Jenner.
I know what you're thinking: I've seen enough of the Kardashians at the grocery store. I'd hide their magazines under dog food, too.

If only my preteen dilemma were that simple.
As I look at Khloe Kardashian's sexy cover image (on the October issue of Wellbella, available at GNC stores nationwide, in case your wonderin'), I'm reminded of the first time I ever noticed Good Housekeeping magazine. Picture it: Tulsa, August 1982. My ten-year-old self is tooting along with a soon-to-be-ripped-from-its-package Star Wars action figure and an already-ripped-from-its-package Whatchamacallit in Skaggs Alpa Beta when I see the Most Beautiful Woman Ever in the History of the Whole World, At Least According to My Limited Knowledge of History, Geography and Beauty.

Priscilla Barnes, that luscious new blonde on the TV show that ruled every moment of my waking life, Three's Company, was lookin' all vixen-like on the cover of a magazine that I'd theretofore viewed as a guide to cookin', cleanin' and knittin'. Suddenly, "good housekeeping" now meant "come-hither nurse lady calling out all-siren-like so that you force your mother to buy you a magazine whose mere coffee-table presence will make your house look totally kept."

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My mom wasn't having it. And since I didn't have enough money for my Han Solo in Hoth Outfit action figure, my half-eaten candy bar and this gorgeous women's magazine, Miss Barnes would have to wait at the supermarket checkout till next week.

Which was all good and fine till we returned to the store a week later to find that Connie friekin' Selleca had hijacked nurse Terri Alden's well-earned cover. September 1982 had not yet arrived, but that month's Good Housekeeping had. (Connie friekin' Selleca was so not getting my Good Housekeeping seal of approval.)

Anywho, I was devastated. Ebay was a good 15 years in the future, and back in the day if you missed a periodical, you had little choice than to suck it up and embrace the future Mrs. John Tesh.

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So a year later, in fall 1983, I would be damned if I let another Priscilla Barnes cover slip through my Whatchamacallit-covered fingers. I'm hanging out at the magazine stand in Tulsa's finest Skaggs, when I come across what would become the holy grail of magazines: TV's most aesthetically-pleasing, slapstick-worthy blonde on the cover of Weight Watchers magazine. (What, was she two pounds overweight? I didn't give a crap why she was on the cover. All I knew is my life would not be complete without this piece of television history.)

Problem was, I was 11 and broke. So I begged my dad and my sister to buy the magazine for me. But they wouldn't have it. "Shouldn't have spent all of your allowance on your Return of the Jedi Jabba the Hut playset," they taunted me. "Maybe Jabba will be on the next cover of Weight Watchers."

Bitches.

I had no choice but to hide this golden piece of pop culture iconography somewhere in Skaggs where nobody would screw with it until I returned as soon as I could get my grubby mitts on $1.50. This Weight Watchers magazine not only stood on its own as high art, it would be a symbol of my redemption. I could not suffer another Good Housekeeping loss.

Where could I hide it? Not behind other magazines--I was certain the new Connie Selleca issues of Creem and Field and Stream would soon hit the stands and expose that hiding place. Few other products were big enough to conceal a magazine. Except ... for dog food. Giant, hulk-size bags of dog food--the mammoth ones that require Dolph Lundgen, some guy named Bubba Joe or other Masters of the Universe to hoist said bags over his shoulders while we all wait to hear his hernia tear like the sad, weak limbs of a paper doll.

So with the Power of Greyskull and a soothsaying hologram of Obi-Wan Kenobi I summoned the force to lift three giant bags of this Purina Dog Chow just enough to slip the Weight Watchers magazine underneath them. No edges or corners were sticking out, so I was sure I had this one, um, in the bag. I was certain there weren't three people strong enough in Eastern Oklahoma to lift these gargantuan sacks of crap.

Four days later I returned with my hard-earned booty only to discover that the cast of Conan the Barbarian apparently had a dog-food shopping spree at my Tulsa-area Skaggs. The magazine was GONE! WTF?! Apparently, the last giant person who bought the last giant bag of Dog Chow did not appreciate the irony of seeing a Weight Watchers magazine stare back at him (her?). Go figure.

Needless to say, I was heartbroken. Again. Miss Barnes' send-your-heart-aflutterin' visage had eluded me once more.

The moral of this story: If your kid goes ape over some Kardashian chick at the grocery store, buy the damn magazine. Or Connie Selleca's ass is gonna resurface and somebody's gonna get hurt. And unlike Priscilla Barnes on the cover of the August 1982 Good Housekeeping, it ain't gonna be pretty.

Friday, September 24, 2010

Audra Lindley would so be giving Betty White a run for her money at age 92!

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Born 92 years ago today: the beautiful Audra Lindley. Decades before she rocked a red wig and a muu-muu as Three's Company's sex-starved landlady Helen Roper, she turned heads as a stand-in and a stuntwoman. And as an actress, this marvelous woman was a chameleon. Her body of work on stage, film and TV is as stunning as she was laugh-out-loud funny as Mrs. Roper. I'll never forget the time I got to spend with her--especially the screening we attended of Dangerous Minds (eat your heart out, Norman Fell)--and how deeply sad I was to hear we'd lost her. She was the bomb.

Some of the many faces of Audra Lindley:

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As Liz Matthews in Another World


As Cybill Shepherd's mom in The Heartbreak Kid

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As Meredith Baxter's mom in Bridget Loves Bernie.

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With then-husband James Whitmore in the play The Magnificent Yankee.

With Deborah Winger in Cannery Row.

As Goldie Hawn's mother-in-law in Best Friends

In the lesbian-themed film Desert Hearts

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As Lisa Kudrow's grandmother in Friends

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In her final role, as Cybill Shepherd's mom (again) in Cybill

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As America's sexiest landlady, once and forever.

Friday, September 17, 2010

Jason Ritter: Like father, like son





The late, great John Ritter and his son Jason have more than talent, good humor and all-American appeal in common. In these clips, almost exactly 25 years apart, they both talk about Jason's appearance in Three's Company's opening credits! John (seen here in 1985 with Johnny Carson) is no doubt looking down and smiling big today--on (what would've been) his 62nd birthday. Jason's new series, The Event, premieres Monday on NBC.

Sunday, June 6, 2010

1986's Sitcom Provocateurs: Christopher Hewett, "Still the Beaver," "Me and Mrs. C" and "Snatch"



We know what you're thinking. "They said, 'Christopher He Wet.' Huh-huh, huh-huh, huh-huh ..."

Yes, we did. But primetime TV said it first--a full decade before MTV's Beavis and Butt-head "Did" America, and nearly a quarter century before FOX's The Cleveland Show spoofed a ballsy reference to the Urban-dictionary-entry-inspiring Mr. Belvedere himself.



You can thank the socially and sexually provocative mid- to late-1980s, America. Although Three's Company went to the big double entendre in the sky in 1984, its legacy of libido-charged innuendos changed the TV laughscape forever. And the zany farce's naughty humor, well, got a whole lot naughtier while climaxing (!) shortly after the we-know-what-that-title's-really-referencing Still the Beaver and Me and Mrs. C became ratings semi-sensations for the Disney Channel in 1985-86 and NBC in summer 1986, respectively. (Come to think of it, Happy Days--which also died in '84--was pretty smutty, too: "Sit on it, Mrs. C!" Helloooo!)



Okay, Me and Mrs. C was really a short-lived sitcom about (quoting the Associated Press) "a 62-year-old white widow who takes in a 22-year-old black boarder." And Still the Beaver (renamed The New Leave it to Beaver for its 1986-89 TBS run) was really about a 62-year-old white kiddo who after 22 seasons of syndication still had no idea his nickname had a vulgar connotation. But still. Their double-entendriffic titles alone paved the way for TV's biggest smutcom.

Enter Snatch!

"What's Snatch!?" you ask. Well, according to its official Facebook page, ''Snatch!''--not to be confused with Vicki! or Cleghorne!--"is an American television sitcom that originally ran from 1986 to 1990."

"Hmmm," you're thinking. "Must've been one of those syndicated classics from the Emmy-winning writer-producers of She's the Sheriff and (The All-New) We Got it Maid."

To be honest, our memories, like Snatch!'s  eponymous lead character, are a little fuzzy. Perhaps we should again quote the show's official Facebook bio: "The show was centered around a Mary Tyler Moore-esque character named Sally Fenway working her way through life and love in New York City. She also happened to have a wise-cracking, hairy, eel-like creature living in her vagina named Snatch."

"Oh, yeah," you're saying to yourself. "The Small Wonder spin-off."

Yeah. That one.

Again quoting Snatch! literature (because, this way, if you're offended, we can just be all, "We're just sayin'"): "The series starred Geneva Carr as Sally Fenway, Fred Berman as Sally's neighbor Ruben Maricasa, Jason O'Connell as her boss Nigel Flavinworth, Billy Warlock as co-worker Robert Marcus, and Sally Struther as Sally's mom, Roberta Fenway. The character of Snatch was portrayed by a live-vagina/hand puppet operated primarily by Jason Favale."


Phew. Glad that's over. Anywho, Snatch! somehow flew under the radar with its behind-the-bikini line humor. Maybe because the Terry Rakoltas of the world were too busy linking FOX's Married ... with Children with impending Armageddon to notice that Sally Fenway's crotch-puppet wasn't popping up just to chomp cookies or sass "Mr. Snuffleupagus" while teaching kids the alphabet.

Snatch! creator Berman is especially funny in this filthy Fragglerock. His nosey neighbor Ruben is a cross between Three's Company's Mr. Furley and Felipe Gomez as channeled through Will and Grace's Jack McFarland on crack. (Yes, the drug crack.) And Geneva Carr--famous for her hilarious spots as the grimacing, finger-waving mom in the AT&T Family Talk commercials--handles the lead role with aplomb. Or is that Eve's Plumb? Either way, she handles it. And she handles it well.



Also serving as a series producer (along with Now Lookee Here Productions' Jason Chaet and Jason O'Connell) is Ethan Duff, writer/director/producer of the acclaimed comedic short film Was Monroe Raped? That darkly comic project--also starring the fascinatingly versatile Berman--focuses on a scarcely-seen episode of the '80s sitcom Too Close for Comfort in which Jim J. Bullock's character claims to have been kidnapped and sexually accosted by two large women in a van.

No word yet if one of these women was a surly, gravelly-voiced crotch-puppet.

Wednesday, September 23, 2009

Post-Swayze chemo comment fallout: Can Suzanne Somers' media savvy channel the voice of change that NBC's misguided "Farrah's Story" should've?


Media-shrewd actress-turned-bestselling author Suzanne Somers last week outraged many Americans—including the equally vocal Whoopi Goldberg, who just ripped her on The View—with her latest, publicity-magnetizing comment, which goes something like this: Chemotherapy poisoned the late Patrick Swayze. Last week's headlines took it a (logical) step further: "Suzanne Somers Claims Chemo Killed Patrick Swayze."

The always-outspoken Somers' remarks surfaced just days after Swayze died—and, ironically, less than a week after TV icon Farrah Fawcett's cancer documentary, Farrah's Story, was denied an Emmy amidst claims that Ryan O'Neal seized control of the NBC special and, in essence, muffled Farrah's voice in her final months. Retroality.TV recently broke news about Fawcett's hopes for the project—and revealed stunning details about her fight for life and O'Neal's alleged threats to kill Farrah's Story executive producer Craig Nevius—in this exclusive interview with Fawcett's producing partner and confidant.

To be fair, Suzanne's sound bite-worthy claims were derived from her longer, if equally unsettling, comment about the late Swayze's chemotherapy. In Somers' own words: "They took this beautiful man and they basically put poison in him. Why couldn't they have built him up nutritionally and gotten rid of the toxins in his body? I hate to be this controversial. I'm a singer-dancer-comedienne. But we have an epidemic going on, and I have to say it."

Goldberg today shot back: “In case she doesn’t know, Patrick did everything and went everywhere to try and stay healthy as long as he could. That he’s been gone a week and this statement came out is bad timing and bad taste and Suzanne, you know better. And I’m not sure that’s not what you meant to do, but you should have thought about it.”

"MaryscottOConnor"'s stinging comments following a New York Post story about the controversy also pretty well sum up the anti-Somers Swayze backlash:

"She's entitled to her opinion. As am I: and my opinion is that Ms. Somers is an utter moron, and an insensitive, opportunistic moron, at that. I believe she actually believes the stuff she's spewing, but I also believe she's spewing this particular stuff at this particular time—taste and tact be damned—because the publicity and attendant possible increased sales for HER book are just too tempting. Which makes her not only a moron but a venal, contemptible moron, at that."

Ouch. Somers' new book, Knockout: Interviews with Doctors Who Are Curing Cancer—And How to Prevent Getting it in the First Place, hits bookstores Oct. 20.

The breast cancer survivor, who in 2001 controversially announced she eschewed chemo in favor of injecting the herb Iscador, made her Swayze remark to Toronto-based columnist Shinan Govani just hours after the beloved Dirty Dancing and Ghost star succumbed to almost always-deadly pancreatic cancer following a valiant 20-month fight. “People won’t listen to me," the PR-savvy proponent of alternative medicine told the National Post gossip columnist. "If only they would listen to me.”

Monday, Somers apologized on her blog: "In a casual conversation at a private party (with someone who never identified himself as a reporter) at the Toronto Film Festival last week, I was asked about this beloved actor. It was never my intention to make an official statement about his passing. I was not informed or aware I was being interviewed. I would never have been so insensitive as to offer a public statement so close to his untimely passing. I sincerely apologize if my comment has caused any additional pain to his family during this difficult time. I send my deepest condolences for their loss."

(I wonder who Suzanne thought she was talking to when Govani chatted her up—or vice versa—at this industry event. Govani must've had a good memory, because apparently he quoted her accurately without wielding a pen or a tape recorder. Chances are, Suzanne will get the 411 next time.)

Timing is everything. Perhaps if Suzanne had waited a few weeks to reference Swayze's death, more people would be willing to listen. On the other hand, would her comments spread like wildfire once the media focuses squarely on (God forbid) the next untimely (and, in the case of Michael Jackson and Billy Mayes, non-cancer-related) celebrity death?

In Somers' defense, she says she just wants to get potentially life-saving information to the public. As someone who's had the honor of interviewing a few famous cancer survivors—namely Fran Drescher, Jaclyn Smith and Olivia Newton-John—I appreciate the value of Somers' voice in the public arena. And as the guy who literally wrote the book on her rise to superstardom and public war of words with her Three's Company producers and, many years later in my book, her former co-stars, I also appreciate Suzanne's passion to speak her truth, however controversial and, at times, completely at odds with seemingly everyone else's truth, it can be.


Perhaps she will be more successful in getting her potentially life-saving message out than was the late '70s sensation whose stratospheric stardom inspired Somers' own quest for instant made-for-TV celebrity. Farrah Fawcett devoted the final years of her life to fighting cancer and enlightening the public about alternative, life-extending therapies. Sadly, the brave TV Angel lost her three-year battle with anal cancer on June 25. But thanks to her "video diary" that documented her trips to a German clinic to find the treatment and hope that the U.S. health care system could not offer her, she left behind a legacy of courage, strength and potential change for millions afflicted with terminal cancer.

Tragically, according to my interview with Craig Nevius, Farrah's Emmy-nominated NBC documentary was riddled with misinformation, missing information and the misguided machinations of Fawcett's longtime lover, Ryan O'Neal, and close friend Alana Stewart.

Farrah's message was further muddled by the coincidental timing of Michael Jackson's shocking and suspicious death. What media attention and analysis Fawcett's death—and life—clearly merited gave way to the relentless feeding frenzy surrounding MJ's demise.

Not that Stewart had trouble promoting her well-timed (?) book My Journey with Farrah last month, though. People magazine gave her the cover treatment, and the talk show circuit spread the word. (Gotta love corporate synergy.) But when Nevius broke his silence recently about Stewart and O'Neal's alleged betrayal of Fawcett while they apparently took the reigns of the documentary Fawcett and Nevius had named—with NBC's apparent blessing—A Wing & A Prayer, the media turned a deaf ear.

So what if Nevius exposed Farrah's true—and apparently thwarted—intentions behind her cancer video diary? So what if he revealed for the first time why she avoided surgery to receive a colostomy bag, famously commented on weeks earlier by Ryan O'Neal? So what if he offered compelling details about O'Neal's alleged efforts to overtake the project and Stewart's supposed remarks that "at least (Entertainment Tonight) ran only the 'good wheelchair pictures'" while the celebrity news show exploited Farrah's final days last spring?

By early September, the media was more interested in showing Patrick Swayze's "final photos"—the same wheelchair trip home to die that Farrah had taken in April—and looking for the next death-related celebrity sound bite. Which Suzanne served up, unwittingly or not, during the oh-so-important 24-hour news cycle following Swayze's sad demise.

Somers will be on the talk-show circuit next month with her new book, offering more potentially breakthrough info in the fight against cancer. Thankfully cancer-free and otherwise able-bodied, she will have the chance to get her unfettered words across—an opportunity that Fawcett, according to her A Wing & A Prayer producing partner, was denied in Farrah's Story. (Farrah was indisputably unable to promote the NBC special last May; instead, O'Neal and Stewart walked the red carpet and spoke in place of the iconic Angel in numerous interviews.)

I trust that Suzanne will use this public platform responsibly and sensitively. If she invokes Swayze's or Fawcett's name—and she probably will and, under the right circumstances, maybe should—I hope for her message's sake that she tempers her product-publicizing passion with the utmost respect for the brave, though sadly silenced, celebs whose advanced and terminal cancers clearly couldn't be beaten with herbs and nutrition.