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Thursday, October 1, 2009

GUEST SHOT: Mackenzie Phillips' tell-all book: TMI, TMZ or something sadly beyond "the view" of the sound bite-centric media?


By Curt Phillips
Retroality.TV Reporter

How much information is too much information? The book-buying public was afforded the opportunity to determine the answer to that question themselves last week thanks to the release of Mackenzie Phillips’ memoir, High on Arrival. So far it would appear that those who picked up a copy of the book and actually read it are coming up with a vastly different answer than those who have only been exposed to Phillips’ tumultuous publicity tour.

Before I go any further here, I should confess something. I am someone who became highly allergic to television news thanks in most part to coverage of the O.J. Simpson trial in the mid 1990s. We had already been slipping mindlessly into a tabloid culture prior to those two murders and the trial that followed, but this appeared to be some sort of tipping point for yours truly. When the lead story on all news broadcasts was that prosecuting attorney Marcia Clarke had surprised everyone by getting a new perm, I could literally feel journalism die. Somewhere off in the distance Woodward and Bernstein must have been writhing in pain, I just knew it! If I followed anything related to that trial following that day, I don’t recall. I was likely exposed to information against my will simply by walking out my front door and walking past other human beings with the ability to open their mouths and speak.

With the exception of Ellen DeGeneres’ 1997 emergence from the closet and 9/11 coverage, I have largely avoided television as a news source. For all the positive things it did appear to offer, television news failed to offer much more than sound bytes and commentary. This past week while observing reactions to Phillips’ book, it has become clear to me that nothing much has changed.


For those two or three people out there who may still not be aware, actress and musician Mackenzie Phillips revealed in her book, as well as in TV talk show appearances, that for a period of years in her adult life she and her father John Phillips engaged in incest—and that it was consensual. There are fine points that she herself debates in her book, but this was the grand revelation that Oprah Winfrey helped her share, literally with the entire world, and which inspired a sea of news commentators and TV viewing public to shout back, “TMI!”


But was it just TMI? Well … yes and no.

As I said before, for those who have read the book, largely the answer to whether that bit of information is too much to share seems to be that no, it wasn’t. Yours truly read the entire 300 or so pages in the course of one day. Technically, it only took me roughly eleven hours to read it, and I argue that as long as you do read the book to understand the context in which the incest took place, that not only is it not TMI, but it could actually count as helpful information.


Many of the television news commentators, as well as other online and print media commentators, have chimed in on their reaction to the single announcement of incest, but few other than Oprah Winfrey seemed to have actually read this book. I have to question how credible that commentary is if it comes without research. Chris Mann, the gentleman who runs this blog and who invited me to share with you here today, has training as a journalist and would be more adept at dissecting this one for you than I am. Are the hosts of The View actual journalists and should they be held to the same standards as journalists, or are they indeed free to share their shocked reaction to a handful of quoted passages as they mug for the camera? Are they entitled to critique Mackenzie Phillips’ motives for sharing this part of her story without first reading the book to find these answers? Whoopi Goldberg, when you’re done telling Suzanne Somers that she should know better for her statements regarding Patrick Swayze and his cancer battle, will you please take a look in your own mirror?



So what about the book? From my vantage point, it was written by a woman who has battled many demons throughout her life and who is making a concerted effort to be open and frank so that those demons would no longer control her. She concentrates heavily on her strained relationship with her father, discussing many different aspects and events that at various times brought them closer to one another or drove them apart.

The incest is described very matter-of-factly—alongside many other events—as being one of many things she “boxed away” to avoid confronting. What seems to be ignored in much of the press is how it came about as the byproduct of heavy drug use, which Phillips explains had helped disconnect both her and her father from their more natural instincts. She does indeed describe the first encounter as rape, but goes on to explain in somewhat startling objective detail the discussions she and John had afterward. This part of her story might possibly cause the reader to examine the finer points of what does and does not constitute rape.


The true shame of this book tour, as it has played out in the media, is that many people might be inspired to pick up a copy and begin reading in hopes of finding some lascivious description of father-daughter sex. Those readers will be disappointed. This is not a lusty soft-core porn novel, nor the angry ramblings of a former child star. It is the effort of a woman battling addiction to tell her own life story in her own way as part of her own recovery process.

What about the question of this being TMI? For incest survivors, as well as those struggling with their own addictions, this book has the potential to offer catharsis. For those who have not had to confront either of these issues first hand, it has the potential to enlighten and educate. For those who are inspired to read it because they question the validity of criticism Phillips has received in the press, it has the potential to inspire even more of a critical thinking approach to listening to TV news. Perhaps for a few of the individuals who have publicly questioned Phillips’ motives in sharing this part of her story, it may inspire some reflection and introspection.

I stated earlier that sometimes the answer might also be that this is too much information. What did I mean by that? In some cases merely hearing the announcement that “Mackenzie Phillips announced on Oprah that she had an incestuous consensual affair with her dad,” would indeed be too much information. The determination for that, I believe, would have to do with context. If you do not know who Mackenzie Phillips is, or even care for that matter, then this information might have absolutely no purpose. If you never listened to any of John Phillips’ music and have no vested interest whatsoever in his memory, this sound bite may have no value. If you are not an addict, or an incest survivor, or if you have an extremely weak stomach and are foolish enough to eat your dinner in front of the TV, then this revelation may very well be completely useless in your world. I still argue, however, that learning first hand from people what they have experienced and how they survived it does indeed have value to us. We simply have to be open to it. If we are not open to it, then by our own indifference we indeed render it useless.


But Curt, what about her own family publicly denouncing her claims? I am so glad you brought this up, you smart reader you. Michelle Phillips, John’s second of four wives and Mackenzie’s former step-mother, has released statements intended to cast doubts on Mackenzie’s incest claim and on Mackenzie herself. Denouncements have also come from Genevieve Waite, John’s third wife, as well as Bijou Phillips, John and Genevieve’s daughter. Farnaz Phillips, John’s widow and fourth wife, has stated that she believes Mackenzie is lying. On the other hand, Mackenzie has received support as well. Chynna Phillips, Michelle’s daughter with John, has publicly supported her half sister, and other friends of the family have come forward to substantiate the incest claim as well.


Michelle Phillips asked people to take what Mackenzie has to say with a grain of salt. Is this a fair statement? You better believe it is. I say this not to help cast doubt, but because I feel it is important to take in any kind of information like this with an objective eye. Do I believe the claims of incest? Yes, but in the end what I personally believe isn’t the crucial factor here.

Mackenzie Phillips has a right to tell her own life story in her own way just as any of us have, and just as Michelle Phillips does—and has. In 1987, Michelle released her own memoir called California Dreamin’. Locating a copy might require effort since it is no longer in print. John Phillips’ 1986 autobiography Papa John, in which he details his own drug use, is also long out of print but used copies appear to have experienced a surge of new interest (no incest claims apparently exist in that book, so perhaps people are hoping to—forgive the pun—read between the lines).


Mackenzie shares her reaction to her father’s book at the beginning of her own. She acknowledged that he had a right to tell his own story, and she owned her own reaction to that. It is impossible, I would argue, for any of us to share our life’s story without sharing at least small parts of other peoples’ stories as well. Nobody lives his or her life in a vacuum. Our lives intermingle and often collide. That’s life. In every telling of a life story, collisions are to be expected. If none are reported, then it inevitably will lack an important layer of honesty. As a footnote here, I must point out that among the friends and relatives Mackenzie describes in her book, Michelle Phillips comes out smelling like more of a rose than most. I find the irony in this difficult to ignore.


This is a family in turmoil over a deeply personal issue, and they have been sharing their turmoil publicly. It is the kind of material that our news media absolutely adores. For the most part they can just sit back and let it play out on their own stage as the audience inevitably flocks to see the show. From a business standpoint, it makes perfect sense—scandal sells. It sells only because we buy it, often without questioning the validity of much of what we’re purchasing. As Phillips describes in her memoir, she is not merely a victim of incest or her addiction, but at many times a willing participant.

Throughout the entire 300-plus pages she recounts her adventure and owns up to her role in contributing to both the good and the bad of it. Like Phillips, we are willing participants in the sad state of our news media. We helped create it. We are no more victims of this monster than Mackenzie Phillips is of her various demons. Perhaps we have more to learn from Mackenzie Phillips and others like her than we realize.


In one of my recent videos for YouTube, I provided a far shorter review of this book. One of my regular commenters, a YouTuber by the user name of DL737, shared his reaction to what I had to say. I believe his succinct response summarizes this whole spectacle best: “When will we learn not to judge a book by it's cover—or its publicity tour?”

Wednesday, September 30, 2009

"Wishful Drinking"'s Carrie Fisher on The Today Show: "I was invited to a mental hospital. And you don't want to be rude, right? So you go."


The brilliant Carrie Fisher spills on her Broadway show Wishful Drinking (officially opening Oct. 4), her tell-all book by the same name, "Hollywood in-breeding," being bipolar (and funny as hell!), her alcohol and drug addictions and knowing Michael Jackson. She offers this amazing bit of MJ insight: "A proper drug addict—not that I would know—takes drugs to feel altered. He just wanted out of the game."

If only my mentally ill friends and family members were one-tenth as cogent (and witty) as this chick. Help us, Carrie Fisher. You're our only hope!

I'm also excited to share that RetroalityTV was the very first entity Carrie began following on her new Twitter account. As a fan of her laugh-out-loud humor and live-out-loud candor—and, at age 5-7, one of the first proud owners of the official Princess Leia Organa action figure, Pez dispenser and bubble bath circa '77-'79—there is no higher honor.

Buy her book (now in paperback) and see her show!

Wednesday, September 23, 2009

Post-Swayze chemo comment fallout: Can Suzanne Somers' media savvy channel the voice of change that NBC's misguided "Farrah's Story" should've?


Media-shrewd actress-turned-bestselling author Suzanne Somers last week outraged many Americans—including the equally vocal Whoopi Goldberg, who just ripped her on The View—with her latest, publicity-magnetizing comment, which goes something like this: Chemotherapy poisoned the late Patrick Swayze. Last week's headlines took it a (logical) step further: "Suzanne Somers Claims Chemo Killed Patrick Swayze."

The always-outspoken Somers' remarks surfaced just days after Swayze died—and, ironically, less than a week after TV icon Farrah Fawcett's cancer documentary, Farrah's Story, was denied an Emmy amidst claims that Ryan O'Neal seized control of the NBC special and, in essence, muffled Farrah's voice in her final months. Retroality.TV recently broke news about Fawcett's hopes for the project—and revealed stunning details about her fight for life and O'Neal's alleged threats to kill Farrah's Story executive producer Craig Nevius—in this exclusive interview with Fawcett's producing partner and confidant.

To be fair, Suzanne's sound bite-worthy claims were derived from her longer, if equally unsettling, comment about the late Swayze's chemotherapy. In Somers' own words: "They took this beautiful man and they basically put poison in him. Why couldn't they have built him up nutritionally and gotten rid of the toxins in his body? I hate to be this controversial. I'm a singer-dancer-comedienne. But we have an epidemic going on, and I have to say it."

Goldberg today shot back: “In case she doesn’t know, Patrick did everything and went everywhere to try and stay healthy as long as he could. That he’s been gone a week and this statement came out is bad timing and bad taste and Suzanne, you know better. And I’m not sure that’s not what you meant to do, but you should have thought about it.”

"MaryscottOConnor"'s stinging comments following a New York Post story about the controversy also pretty well sum up the anti-Somers Swayze backlash:

"She's entitled to her opinion. As am I: and my opinion is that Ms. Somers is an utter moron, and an insensitive, opportunistic moron, at that. I believe she actually believes the stuff she's spewing, but I also believe she's spewing this particular stuff at this particular time—taste and tact be damned—because the publicity and attendant possible increased sales for HER book are just too tempting. Which makes her not only a moron but a venal, contemptible moron, at that."

Ouch. Somers' new book, Knockout: Interviews with Doctors Who Are Curing Cancer—And How to Prevent Getting it in the First Place, hits bookstores Oct. 20.

The breast cancer survivor, who in 2001 controversially announced she eschewed chemo in favor of injecting the herb Iscador, made her Swayze remark to Toronto-based columnist Shinan Govani just hours after the beloved Dirty Dancing and Ghost star succumbed to almost always-deadly pancreatic cancer following a valiant 20-month fight. “People won’t listen to me," the PR-savvy proponent of alternative medicine told the National Post gossip columnist. "If only they would listen to me.”

Monday, Somers apologized on her blog: "In a casual conversation at a private party (with someone who never identified himself as a reporter) at the Toronto Film Festival last week, I was asked about this beloved actor. It was never my intention to make an official statement about his passing. I was not informed or aware I was being interviewed. I would never have been so insensitive as to offer a public statement so close to his untimely passing. I sincerely apologize if my comment has caused any additional pain to his family during this difficult time. I send my deepest condolences for their loss."

(I wonder who Suzanne thought she was talking to when Govani chatted her up—or vice versa—at this industry event. Govani must've had a good memory, because apparently he quoted her accurately without wielding a pen or a tape recorder. Chances are, Suzanne will get the 411 next time.)

Timing is everything. Perhaps if Suzanne had waited a few weeks to reference Swayze's death, more people would be willing to listen. On the other hand, would her comments spread like wildfire once the media focuses squarely on (God forbid) the next untimely (and, in the case of Michael Jackson and Billy Mayes, non-cancer-related) celebrity death?

In Somers' defense, she says she just wants to get potentially life-saving information to the public. As someone who's had the honor of interviewing a few famous cancer survivors—namely Fran Drescher, Jaclyn Smith and Olivia Newton-John—I appreciate the value of Somers' voice in the public arena. And as the guy who literally wrote the book on her rise to superstardom and public war of words with her Three's Company producers and, many years later in my book, her former co-stars, I also appreciate Suzanne's passion to speak her truth, however controversial and, at times, completely at odds with seemingly everyone else's truth, it can be.


Perhaps she will be more successful in getting her potentially life-saving message out than was the late '70s sensation whose stratospheric stardom inspired Somers' own quest for instant made-for-TV celebrity. Farrah Fawcett devoted the final years of her life to fighting cancer and enlightening the public about alternative, life-extending therapies. Sadly, the brave TV Angel lost her three-year battle with anal cancer on June 25. But thanks to her "video diary" that documented her trips to a German clinic to find the treatment and hope that the U.S. health care system could not offer her, she left behind a legacy of courage, strength and potential change for millions afflicted with terminal cancer.

Tragically, according to my interview with Craig Nevius, Farrah's Emmy-nominated NBC documentary was riddled with misinformation, missing information and the misguided machinations of Fawcett's longtime lover, Ryan O'Neal, and close friend Alana Stewart.

Farrah's message was further muddled by the coincidental timing of Michael Jackson's shocking and suspicious death. What media attention and analysis Fawcett's death—and life—clearly merited gave way to the relentless feeding frenzy surrounding MJ's demise.

Not that Stewart had trouble promoting her well-timed (?) book My Journey with Farrah last month, though. People magazine gave her the cover treatment, and the talk show circuit spread the word. (Gotta love corporate synergy.) But when Nevius broke his silence recently about Stewart and O'Neal's alleged betrayal of Fawcett while they apparently took the reigns of the documentary Fawcett and Nevius had named—with NBC's apparent blessing—A Wing & A Prayer, the media turned a deaf ear.

So what if Nevius exposed Farrah's true—and apparently thwarted—intentions behind her cancer video diary? So what if he revealed for the first time why she avoided surgery to receive a colostomy bag, famously commented on weeks earlier by Ryan O'Neal? So what if he offered compelling details about O'Neal's alleged efforts to overtake the project and Stewart's supposed remarks that "at least (Entertainment Tonight) ran only the 'good wheelchair pictures'" while the celebrity news show exploited Farrah's final days last spring?

By early September, the media was more interested in showing Patrick Swayze's "final photos"—the same wheelchair trip home to die that Farrah had taken in April—and looking for the next death-related celebrity sound bite. Which Suzanne served up, unwittingly or not, during the oh-so-important 24-hour news cycle following Swayze's sad demise.

Somers will be on the talk-show circuit next month with her new book, offering more potentially breakthrough info in the fight against cancer. Thankfully cancer-free and otherwise able-bodied, she will have the chance to get her unfettered words across—an opportunity that Fawcett, according to her A Wing & A Prayer producing partner, was denied in Farrah's Story. (Farrah was indisputably unable to promote the NBC special last May; instead, O'Neal and Stewart walked the red carpet and spoke in place of the iconic Angel in numerous interviews.)

I trust that Suzanne will use this public platform responsibly and sensitively. If she invokes Swayze's or Fawcett's name—and she probably will and, under the right circumstances, maybe should—I hope for her message's sake that she tempers her product-publicizing passion with the utmost respect for the brave, though sadly silenced, celebs whose advanced and terminal cancers clearly couldn't be beaten with herbs and nutrition.


Sunday, September 20, 2009

GUEST SHOT: Digging Up the Brady Bastard Child and Showering It ... With Love


By Ted Nichelson
Co-author, Love to Love You Bradys: The Bizarre Story of The Brady Bunch Variety Hour

A long time ago, in a disco hallucination far, far away, I was dumb struck by an obscure show that hadn’t seen the light of day for years. The Brady Bunch Variety Hour was not only “so bad it’s good” but also marked a dark chapter in Brady Bunch history that had been conveniently swept under the rug – that dirty little secret Grandma won’t talk about. Anyone who discovers how America’s favorite family ended up in history’s worst show can’t help but fall in love with this glorious train wreck.

My involvement began innocently enough one evening in Ann Arbor, Michigan while reading through some news group postings on the Internet. I was a student at the University of Michigan and probably had more important things to do. But I was curious about this Brady Variety Hour that was being rerun on an obscure cable network in Australia. People down under were having the most entertaining discussions about this supposedly terrible show.

I became email friends with a few people lucky enough to see the Variety Hour and convinced one of them to record some episodes and send them to me on the other side of the globe. As a childhood fan of The Brady Bunch it was a thrill to see this cast of characters in a “new” series, much of which to this day has still not been viewed by American audiences since its single and only broadcast in 1976-77.


Why do cable networks refuse to air this show? Why has it not been released on DVD? Why does the Brady Bunch cast pretend it never existed? This secret Hollywood conspiracy was nearly successful until I decided I was going to expose the skeleton in the closet. From that point forward, it became a fun and interesting obsession that I have been able to share with thousands of Brady Bunch fans who are equally excited to see the secret vaults blasted open in a shower of confetti.

I began by starting a website devoted to The Brady Bunch Variety Hour, which soon raised some eyebrows. Almost immediately I received an email from Maureen McCormick’s mother, Irene, who was so very entertained by what I had put together. In the next year this was followed by interviews with cast members such as Geri Reischl, whom I spent six months trying to locate, Chris Knight, and finally Susan Olsen.


Susan Olsen dishes up the Jell-O shots during our marathon viewing of all nine Brady Bunch Variety Hour episodes in October 2004.

Susan was particularly awestruck by my website because she had suppressed her memories of the Variety Hour and was shocked to have them coming to the surface once again. Over several years of becoming friends and relocating to Los Angeles after graduation, I asked her if she would like to collaborate on a book about the series. Fans had been encouraging me to move forward on such a project for a long time, and I knew that Susan would be the perfect compliment to such a publication.

This is when the archeological dig first took on steam—and the digging ensued. It was not easy. Almost all materials to the show had completely disappeared. The network and the Kroffts, while generally helpful, all turned up miniscule quantities of artifacts. I was lucky enough to find many stray items on ebay that nobody was interested in buying. Over time I amassed a large collection of Brady Bunch Variety Hour memorabilia, some of which the Kroffts had actually given away or sold at one time or another. The Kroffts had a lot of trouble coming up with a complete set of episodes as some of their master tapes were damaged. I was lucky enough to have assistance from our video editor friend Glenn McClain who restored scenes (and in some cases audio) using additional copies that were given to me by some interns at Paramount—because nobody wanted the Variety Hour there either. The boxes came to me caked in dust.

Imagine that one of the most celebrated shows of all time could have a bastard child that nobody cared about.

Once a full set of episodes was finally put together, Susan and I sat down with our Bradyologist friend Lisa Sutton, who agreed to be the graphic designer for our proposed coffee table book. Surprisingly we sat through every single minute of each show in one sitting! Then we were off and running with interviews, interviews, and MORE interviews!

Finding everyone from the show was some of the most difficult work. These people were not on Facebook! A lot of them still had rotary phones. Almost everyone was very kind and eager to share their memories and their photographs. They did not have anything to hide and were rightfully proud of a job well-done. The friendships I made along this journey were wonderful—especially the Krofftettes, who I discovered to be an eclectic and amazing group of women. I was honored and privileged to locate and interview all eight swimmers.


The cast and crew were also helpful, and over 100 interviews later we really had a lot of great material. Unfortunately, Florence Henderson was not cooperative and was one of the disappointments of this project. I had met Florence several times and was surprised by her sharp, deliberate rebuke of me. Because all of the other cast members had participated, Susan really felt that we needed to give Florence her space and respect her wishes. Florence felt that she did not want to be a part of something she interpreted as negative. I personally found it strange that Florence would reject Susan in this way. However, Susan saw it differently and felt Florence had already done a lot of things for her in the past, so ultimately there were no bad feelings of any kind.

Florence’s assertion that I was only digging for dirt helped shape the book in many ways. I decided that we needed to have a title that conveyed affection, derived from a disco song with the word ‘baby’ that could be changed to ‘Brady.’ Thus, the phrase “Love to Love You Bradys” was conceived and suggested (to me at least) that the world loves the Bradys unconditionally, even if their dancing and singing is questionable.

Writing the book was a major challenge because of the many disparate pieces that had to be combined into a single story. But the combination of my historical text and Susan’s humorous commentary was almost magical in how they fit together. I wanted to continue my theme of loving the Bradys and always tried to write with loving thoughts so that the story would become benevolent for the reader.


The next hurdle was finding the right publisher. Yet again The Brady Bunch Variety Hour was an awful piece of you-know-what that NOBODY would touch with a ten foot pole. Door after door was slammed in my face by publishers who now might think otherwise. In a last ditch effort I decided to strike up a conversation with a librarian for one of the photo archives I frequented and asked her who she liked to work with. Her answer was ECW Press, who had just put out a successful coffee table book about High School Musical. I contacted their head publisher and they saw great potential for our project. They also would allow us creative control and would support our marketing efforts after the book was released.

Lisa and I then spent the next nine excruciating months piecing together the book bit-by-bit, somehow pulling each artifact into the chapters and making sure it illustrated what was being said in the text. Susan was tweaking our layout throughout the process with her own graphic designs and clever suggestions. It was absolutely a team effort.

Now that Love to Love You Bradys has finally become a reality, the three authors look back at our experience with pride and satisfaction. We hope that we have created something fun so that people with a sense of humor can laugh with us, and that Brady fans can come to appreciate with warmth what was The Brady Bunch Variety Hour.